Tag: 2015

Greeko – Black Panther (OFFICIAL) ARR009 Music Video


Italian up-and-comer Klaudio Lagji, AKA Greeko, has dropped a new deep house-inspired techno track called “Black Panther.” The single marks the artist’s debut on the trendsetting Alfa Romero Recordings label, Ibiza Voice reports.

The dark and beautiful video explores issues of human rights and discrimination. With Tommie Smith’s story from the 68 Olympic Games in Mexico city at its core, the video goes on to highlight how the same issues remain in such hot focus in today’s modern climate.

music by Klaudio Lagji
directed by Luca Gasperoni
featuring Bass Mbaye

ARR009 welcomes the young but wildly talented Klaudio Lagji AKA Greeko to the stage. His beautiful, slowly evolving deep techno cut grows into a bold and colourful expression of his immersive vision of the dancefloor. Shimmering with emotional depth, a retrospective gaze and futuristic spirit all at once, “Black Panther” has a truly timeless feel that squirms free of any expectation one might assume.

Guido Bartoli, a graphic designer, illustrator and visual artist who works from his Pisa base, created the fantastic cover.

© 2015 Alfa Romero Recordings
℗ 2015 Even Eights Records

Lithium EP released by DJ Robbie Pope – Techno House Music


DJ Robbie Pope has been in the face of alot of people over the last few months playing New York and ADE in Amsterdam, while keeping a consistency on radio with his weekly show on Ibiza Hott Radio. With his announcement of playing on NYE in New York, Robbie is ending his year on a great note with a song selected for release by the people at Traxsource. Check out the EP and buy it to add to your Tech collection.

About EP –

Dance Lab is thrilled to bring back one of the fastest growing techno producer in the scene today Mr Robbie Pope.
His sound has dimension, peaks & the rumble that you desire. A two track banger called Lithium EP with the second track titled Tesla. This EP is a must have so play it loud.

Celebrate New Year’s Eve With Skrillex, Deadmau5 And Chance The Rapper


It’s not even Halloween yet. Is it too early to start sorting out New Year’s Eve plans? Yesterday we announced that goth industrial stalwarts Ministry are playing at the Concord Music Hall for New Year’s. A few moments ago, React announced what they’re doing: a two-day decadent, Las Vegas-style blowout featuring some of the biggest names in music.

Subtly called Reaction, it will take place December 30 and 31 at the Donald E Stephens Convention Center, just a few blocks away from the Rosemont Blue Line stop. The lineup is remarkably solid with headliners including Chicago’s Chance the Rapper, Skrillex, Run the Jewels, CHVRCHES, Purity Ring and Deadmau5 all scheduled to perform.

Two day passes are on sale now and will you cost you $99, and the cost will gradually increase. In an effort to make it affordable, they’re also offering a payment plan similar to what Riot Fest has done in the past. If you’re interested, you’d pay three payments of roughly 33%. The only bummer is that you’ve gotta be at least 18 if you want to go.

DJ Robbie Pope playing at The DL in New York this NYE


DJ Robbie Pope who is buzzing up the circuit recently with Radio shows , playing in Brooklyn and releasing his new Remix of “Mumbo Jumbo,” he will be ending the year by playing a set at the DL in New York. With DJ’s like CarlBeats, JD Powell, Eric Louis, Mark Pompeo and Young Bad Twinz, This event is gonna be one to check out if you in New York over the New Year.

2-8 am

The DL, 95 Delancey St, New York City.

$30 in Advance.

French touch – 10 of the best

1. St Germain – Sentimental Mood
In the early 1990s, French music was something of a joke; an easy punchline for British exchange students who were otherwise intimidated by the sophistication of their hosts. St Germain (AKA Ludovic Navarre, whose first new album in 15 years came out in October) was the first sign that things were changing. His 1995 album Boulevard was a massive hit with British journalists and public alike, named album of the year in the dance music magazine Muzik and paving the way for the new generation of producers whose music would later be banded together as the French touch.

St Germain’s music had little to do with the frantic, filtered disco loops that would later typify French dance music in the 90s. Instead, it took hip-hop, reggae and jazz and gently caressed them into the deep house mould, achieving the nigh-on impossible task of making 10-minute saxophone solos sound like fun. Sentimental Mood, from Boulevard, is the perfect example of his sorcery. The song uses little more than jazzy piano chords, shuffling house drums and a saxophone over its 10-minute length, which sounds like a recipe for wretched boredom. And yet Sentimental Mood has just enough tension to keep you on the edge of your seat, the disparate elements playing off each other, subtly shifting and mutating in a way that makes the addition of a second piano chord seem almost as exciting as a Keith Moon drum fill.

2. Motorbass – Ezio
Motorbass, the Parisian duo of Phillippe Zdar and Étienne de Crécy, were key players in the French touch, both together and individually. Zdar would go on to form Cassius, whose self-titled 1999 album is a French touch perennial, while De Crécy would produce the stunning Super Discount project. Motorbass’s lone studio album, Pansoul, arguably remains the highlight of their recording careers, though. Released in 1996, three years after the duo’s debut, Transphunk EP, Pansoul provided the second sign, after St Germain, that something was afoot in the French house underground.

The 10 tracks within are recognisably house music, with a touch of the deepest Detroit techno. But there is something uniquely European about them. They are full of the freedom to experiment that being outside the US and UK dance scenes seemed to allow. Ezio, for example, features the sound of a harp at its most dreamy – hardly the kind of instrument you can imagine Kevin Saunderson fiddling with over in Detroit – which dissolves into an unsettling, feverish chord sequence at the 3m40s mark. The effect is like listening to house music with a strong dose of flu.
3. I:Cube – Disco Cubizm (Daft Punk remix)

Daft Punk’s influence towers over the French touch. The duo’s early records were instrumental in attracting attention to the scene, they pioneered the filter disco sound that the French touch would make its own, and they gave a leg up to countless young French producers by letting them remix their work (as seen on the Daft Club remix album). Individually, too, Thomas Bangalter and Guy-Manuel de Homem-Christo, were vitally important to the French touch. Bangalter ran the peerless Roulé label, which released his own solo work as well as music by Alan Braxe and DJ Falcon, not to mention Stardust’s Music Sounds Better With You, while De Homem-Christo had his Crydamoure label, which made filter disco its own.

In 1996, though, Daft Punk were just a couple of young producers with a burgeoning reputation for their innovative house sound. So was Nicolas Chaix, AKA I:Cube, so it made sense for him to call them in to remix his second 12in single, Disco Cubizm. The original is a twitchy, unusual piece of jazzy house, very worthwhile in its own right. But the Daft Punk remix is something else, distilling the original elements into a tune that, while little changed, is 100 times fiercer and more direct than the I:Cube original, all nagging key runs and sweet filter release. It can still slay a dance floor today.
4. Cheek – Venus (Sunshine People) (DJ Gregory remix)
DJ Sven Hansen-Løve, one of the key DJs of the French touch era and co-writer of French Touch film Eden, recently called the DJ Gregory remix of Cheek’s Venus “the quintessential French touch track”. You can see why: Gregory’s remix, which bears little resemblance to the Cheek original, takes a few loops from Brass Construction’s Happy People and makes merry mayhem with them, filtering, tweaking and adding a thudding bass drum, resulting in a song that could put a smile on the face of an angry Doberman. It is one of those tracks, dumb as a bag of rocks yet joyous in its effect, that could double its five-minute running time without outstaying its welcome.

It also unites several of the key players in the French touch. The original song was produced by DJ Gilb’R, an important – if underrated – DJ and producer. It was released on his Versatile Records, one of the key labels of the French touch era, and it was also remixed by I:Cube and Pepe Bradock, the latter a producer whose beautifully odd take on house has earned him a rabid cult fan base. DJ Gregory, meanwhile, would go on to make his name with the Africanism project and tracks such as Block Party, which brought a distinctly tropical taste to French house.

5. Fantom – Faithful
When people talk about the French touch sound they’re usually thinking of songs like Faithfull by Fantom, a one-off pseudonym of Parisian producer and DJ Gregory collaborator Julien Jabre. As with Venus, there’s very little to Faithfull: a sample from T-Connection’s At Midnight, a phasing effect, an angry bass drum, chattering hi-hats and train sounds taken from Telex’s Moskow Diskow. It could easily be boring. But so elegant is the result, so lush and nonchalantly funky, that it draws you in like the snake in The Jungle Book. Faithfull also earns French touch bonus points by being included on both Daft Punk’s 1997 Essential Mix and Paris Is Sleeping, Respect Is Burning, a key compilation of Paris house music from 1998, inspired by the Respect Is Burning club night.

6. Phoenix – Heatwave

In 2015, Phoenix are one of the biggest mainstream rock bands around, their yacht-rock-inspired guitar pop taking them to headline slots at the Pitchfork festival and the US top 10. In 1999, though, they were part of the French touch. There was the Daft Punk connection for a start, with Phoenix guitarist Laurent Brancowitz having played alongside Bangalter and De Homem-Christo in their pre-Daft Punk band Darlin’. And Phoenix also recorded for Source, a label indelibly linked to the French touch thanks to releases by Air and Étienne de Crécy and its Source Lab compilations. But the most obvious reason for the French touch tag was the sound of Heatwave, the band’s second single. It takes the French touch’s obsession with disco samples to its logical conclusion by being a full-on disco song: four minutes of chicken-scratch guitar, tight-trousered bass and metronomic drums, all driven by gorgeous, wistful chord changes straight out of the Air song book. It is a genuinely beautiful song. But if you recognise Heatwave today, it is most probably as the basis for DB Boulevard’s 2002 song Point of View, the Italian dance act having stuck a vocal on the top of their rerecording of Heatwave on their way to scoring a global hit.
7. Pete Heller – Big Love
The success of the French touch propelled the sound overseas, where producers tried their hand at replicating its Parisian swing with decidedly mixed results. Brighton house duo Phats and Small sucked any life out of the genre with their excruciating Stardust parody Turn Around, while Armand van Helden’s You Don’t Know Me was a brilliant exercise in adding soulful vocals to French disco frug.

Best of all was Big Love by the British producer Pete Heller, a nigh-on perfect slice of filter disco that wouldn’t have sounded out of place on Roulé. Its brilliance was amazingly casual too: Big Love was apparently made in 12 hours while Heller’s usual production partner Terry Farley was off watching Chelsea and, in the best possible way, it sounds like it. There’s nothing laboured about Big Love. It sounds effortless, something it shares with many of the best French touch tunes. And while Heller may hail from Brighton, Big Love was a big hit in Paris. So it almost counts as French.

8. Jess and Crabbe – The Big Booya
Hip-hop and R&B were often cited as influences by French touch producers, and there was a certain amount of crossover between the two scenes. The Cassius duo of Philippe Zdar and Boom Bass first worked together on production for the French hip-hop artist MC Solaar, while St Germain’s Boulevard featured hip-hop beats on tracks such as Street Scene and Forget It. The Big Booya, the second single from French touch latecomers Jess and Crabbe, makes this crossover explicit. The song is propelled by a foulmouthed sample from the Notorious BIG, which meets a brilliantly rubbery bassline and surging disco strings.

The result may have little in common with the deep jazz of St Germain’s Sentimental Mood but it is an excellent example of the second, tougher wave of French touch productions that emerged at the end of the 90s, along with the likes of the Buffalo Bunch and Archigram, who notably sampled the Stooges’ I Wanna Be Your Dog on Doggystyle. The Big Booya is an incredibly simple track, the collision of three great ideas, but it has proved to have a surprisingly long shelf life. It was first released in 1999; Fatboy Slim’s Southern Fried Records rereleased it in 2003, complete with remixes from the man himself; and London label Hot Haus Records (home to DJ Haus) rereleased it again in 2013 with remixes from young producers Kodiak and Matrixxman.

9. Alan Braxe and Fred Falke – Intro
Perfection may be a myth but Intro, the debut single by Alan Braxe and Fred Falke, gets pretty close. It’s not just a brilliant, life-affirming earworm of a song, it is one that would be hard to improve on in any way. As with many of the tracks on this list, Intro is a minimal beast, using only drums, bass and a sample purloined from the Jets’ Crush on You. But could there be a better sample in house music than the Beach Boys-esque harmonies that introduce Crush on You and lend that vital element of melancholic euphoria to Intro? Could the bassline be any more perfectly elastic? And could the drums possibly sparkle with any more sly machine funk? It’s little surprise that there have been so few remixes of Intro: what on earth would you do to improve it? Braxe, incidentally, has considerable French touch history. His first 12in, the Vertigo EP, was released on Roulé records, and Braxe would later become one third of Stardust, alongside Bangalter and Benjamin Diamond.

10. Daft Punk – Human After All / Together / One More Time (reprise) / Music Sounds Better With You
Daft Punk arguably brought the French touch to an end with the release of Discovery in 2001, an album whose gleaming robo funk was so far ahead of the competition that filtering disco samples suddenly seemed very old hat. There would still be the odd French touch-esque hit, including Supermen Lovers’ Starlight, but the movement’s key artists would either change their sound (Alan Braxe and Fred Falke went none-more-80s electro-house, for example) or disappear (St Germain released no new music between 2001 and 2015). When French dance music rose again in the mid 2000s, thanks to Justice et al, the sound was noticeably harder.

And yet Daft Punk still had the time to release what may be the most French touch song of all time, on the bonus disc on their live album Alive 2007. The perpetual encore of the duo’s 2006-07 tour was a medley that included the title track of their third album, Human After All, and one of their best-known singles, One More Time, as well as key French touch tracks Together and Music Sounds Better With You. Together was the debut single and calling card of the short-lived yet brilliant duo of Bangalter and DJ Falcon, who took house minimalism to new, sparkling heights on their two 12ins for Roulé. Stardust’s Music Sounds Better With You, meanwhile, is one of the best known tracks in the history of dance music, an eternal classic destined to be played at the coolest clubs and the cheesiest weddings until death do us part. It is a song that takes all of the best elements of the French touch – the nagging disco samples, the sumptuous filters, the pounding bass drum and the sheer joy inherent in house music – and refines them into a true pop classic. Stitched together with three other quintessential examples of French dance music over 10 ecstatic minutes on Alive 2007, it is a worthy tribute to the French touch, a style of dance music that rehabilitated France’s musical reputation and continues to inspire producers such as Julio Bashmore and French Fries today.

Meet the DJ gran, 64, who parties in Ibiza and loves Rudimental


Using her DJ name Dizzy Twilight, Middlesbrough-born Christine loves nothing more than banging out some top tunes.

And even though she’s 64, the “grandma DJ who loves to party” says age is no barrier to enjoying every type of music.

Christine was born and raised in Middlesbrough, growing up in Linthorpe and attending St Joseph’s infant and junior schools and St Mary’s Convent School.

Inspired by her late dad Dr John Sullivan, who was a well-known GP, Christine trained as a nurse at St Bartholomew’s Hospital in London before going on to have a nursing career.

That was followed by a spell in medical sales and 10 years as a births, deaths and marriages registrar.

But when she retired four years ago, music turned from something she’d always loved to a passion. And when she gets behind the decks, she’s happy to play an eclectic mix – as she’ll prove when she appears at the Crathorne Arms, Yarm, tomorrow night.

It will be her second trip back to Teesside this year, having played a successful night at the same venue in April.

Christine Tew with husband Malcolm at Ibiza RocksSet featured image
Christine Tew with husband Malcolm at Ibiza Rocks

However, her DJ skills are increasingly in demand and she can be found at events across the country.

Mum-of-four and gran-of-one Christine, who now lives in Wiltshire, said she got the bug after hearing the stuff her sons were playing.

She enrolled on a Ministry of Sound taster course, followed that up with a DJ Academy course in Worcestershire – and now she can’t stop working the decks.

She even dragged her husband of 42 years, Malcolm, along to club capital Ibiza in the summer.

‘Fantastic beat’

She said: “We saw Pete Tong, Dizzee Rascal, went to the big clubs and saw Rudimental at Amnesia.

“We stuck out like sore thumbs but we had some of the best nights out, with people ‘high fiveing’ us and being really welcoming.”

Christine sings in the local choir and cites jazz legends like Count Baisie and Duke Ellington as early musical influences.

But her modern tastes take in some of dance music’s biggest names, including Rudimental, Avicii and star DJs like Danny Rampling and Pete Tong.

She said: “Some people say ‘that’s not music’ but a lot of it is great and has a fantastic beat.

“I’ve been surrounded by it because of my sons but now when I’m practising, they’re the ones telling me to turn it down!

“Music has always been an outlet for me but there’s so much I still want to learn.”

* Dizzy’s Christmas party night is at the Crathorne Arms, Yarm, on Friday. For more information, visit www.dizzytwilight.com

Guide: F1 Abu Dhabi Grand Prix after-parties


TimeOutDubai.com compiles the definitve guide to F1 Abu Dhabi Grand Prix after-parties at the best bars on and around Yas Island

MAD Yas: MAD Yas is new a club opening this year, and in addition to plans for impressive light shows, huge LED screens and a luxury VIP area, it’s got a great line-up for F1 weekend. Jeremiah will be performing on Friday night, and crowds will be rapping along to the London-accented sound of Tinie Tempah on Saturday. On Sunday, things take a turn for the trance (and electro house) from massive Dutch production and DJ duo W&W, who have collaborated with the likes of Armin Van Buuren and Harwell.

Yas Island, Abu Dhabi, www.madyasiland.com (055 834 6262).

40 Kong at Yas Viceroy: The popular bar will be setting up shop for three nights, with a roster of entertainment from some familiar faces. Resident DJs Trix, Diamond Setter, Neari, Tony H and KaY TeK will be spinning daily alongside live electronic trio HVOB. With the crowd whipped into a suitable frenzy, deep house aficionados will be treated to three headliners giving the party a very Germanic feel.
Friday will see tongue-in-cheek Berlin-based duo Smash TV hit the decks, while Saturday’s topbilling will be taken by Hamburg’s Doctor Dru. Add to that a send-off set from Halle’s finest, Monkey Safari, and the Viceroy could well be the place to be on race night.

As for food, 40 Kong Kitchen will be keeping partygoers well nourished with a set menu included some of the rooftop bar’s best dishes as well as exotic options from all over the world. Some of their most popular mixed drinks will also be available. Arrive in style via chartered boat, which will be available for transfer at specific times of night.

For table packages and booking enquiries, e-mail reservations@40kong.com. Fri-Sun, Yas Viceroy, Yas Island (04 355 8896).

Eden Beach club at Yas Rotana: An authentic taste of Ibiza will be coming to the Yas Island Rotana during the F1 festivities as Dubai’s Eden Beach Club opens a pop-up with two nights of top-notch turntablism. The event is bought to you in association with Iron Cult.

First up will be Hamburg house heavyweight Solomun, kicking off two sensational soirées with a Friday night headline slot. Solomun played a huge role in redefining European house music, giving the genre a fresh, ultramodern twist. He made his major breakthrough in 2012, thanks to a storming series of sets at his first season in Ibiza with Diynamic Neon Nights at Sankeys, which was inspired by his own label. He went on to become the winner of Best Producer title at the DJ Awards Ibiza and Mixmag’s coveted DJ of the year award.

Sunday night will bring another legend of the ‘White Island’ club scene to the booth as Sven Väth comes to the fore. A pioneer of the trance movement, ‘Papa Sven’ is respected around the world not only for his career longevity but also for his ability to pull off marathon sets that keep revellers in thrall. His legendary 15-year residency at Amnesia, Cocoon Ibiza, began way back in that renowned party year, 1999. His success has only continued to rise since. Now, he attracts more than 80,000 visitors in a four-month season, proving his music is just as relevant and exciting as when he was first discovered.

Both Solomun and Väth will be playing at the Yas Island Rotana, just five minutes’ walk from the circuit. Don’t miss your chance to dance to the music of these house music legends. This Crystal Group-presented double bill is a definite must-see.

Double passes from AED600 per person, table packages from Dhs8.000. Fri 10pm-4am, Sat 10pm-late, Yas Island Rotana. For reservations, e-mail reservations@edenbeachclub.com (04 277 1477).

Amber Lounge: It would be fair to say that Amber Lounge pop-ups are the most exclusive of any F1 event in the world – from Shanghai, Barcelona and Monaco to right here in Abu Dhabi. The VIP F1 nightlife experience was founded to give teams, sponsors and celebs a place to let their hair down. It returns to the UAE this year, promising another high-octane, full-throttle weekend of music, glamour and VIP indulgence. Craig David will be bringing his multi-platinum-selling brand of R&B to the heart of Yas Marina, busting out a string of hits such as ‘7 Days’, ‘Walking Away’, and ‘Rise and Fall’.

Not content with showcasing his vocal dexterity, the British star will also be hitting the decks as he presents TS5, his popular and anthemic DJ set that is a weekly highlight on UK station Capital Xtra. “I am so excited to perform on the Amber Lounge Abu Dhabi stage,” he said. “All my friends rave about Amber Lounge’s stunning setting, the incredible VIP service, and the intense party atmosphere, and I cannot wait to experience all the fun for myself. Nothing moves faster than Formula 1, but Amber Lounge is a close second.”

For ticket and table package enquiries, e-mail enquiries@amber-lounge.com. Sat 11pm-late (ladies’ night), Sun 11pm-late (F1 after-party). www.amber-lounge.com (+377 97 77 74 34).

Amber Lounge F1 Yacht: Join the likes of Jennifer Lawrence, Labrinth and Kim Kardashian and reserve a place on the luxurious Amber Lounge Yacht. It’s the ultimate viewpoint from where to watch the drama unfold as this luxury triple-deck boat has trackside mooring. In addition to race viewing on the Saturday and Sunday (and a wild Saturday night opening party), buffet lunch and dinner will be on offer, and F1 drivers will be popping in for exclusive interviews and autograph signings. Other treats will include an open bar and goodie bags with team merchandise. Guests can also opt to stay on-board in one of the fully-catered cabins.

Two-day package AED18,181 per person. For booking inquiries e-mail hospitality@amber-lounge.com(+377 97 77 7434).

Iris: Iris Abu Dhabi needs little introduction. The Marina-side lounge bar looks across to the Yas Viceroy and has a chilled-out, stylish, backyard vibe with artisanal mixed drinks to match. Over the F1 weekend it will play host to French-German DJ/producer JC Ades and his deep, soulful electronic music on Thursday, and from Friday to Sunday the venue will be home to all-day entertainment. Mash Mashine will be performing live on Friday night, followed by Saturday night’s DJ set from duo Bang La Decks and Romanian sensation Adrian Efrimie. Sit down for lunch between 11am and 4pm with special à la carte and set menus while listening to live music, and then party until dawn every night when Iris will be open until 6am. Head there for its F1 after-party on Sunday night, and the infamous White Dubai experience on Saturday.

For table enquiries and reservations e-mail reservations@irisdubai.com. Open Thu Nov 20 6pm-3am; Fri-Sun Nov 21-23 11.00am-6am. Building 1, Yas Marina, Yas Island, www.irisabudhabi.com (055 160 5636).

The Podium Lounge: Following two sold-out years at the Yas Viceroy, this year The Podium Lounge will be even bigger as it takes over the du Forum. The ‘ultra-lounge’ boasts an overhead catwalk and VIP balcony suites and there will be nightly live auctions of F1 memorabilia signed by the likes of Michael Schumacher, Ayrton Senna, Lewis Hamilton and Niki Lauda.

Up to 3,000 partygoers will be entertained by Grammy-nominated dance act Freemasons – supported by Katherine Ellis, with whom they scored the 2008 hit ‘When You Touch Me’ – on opening night. Hed Kandi creator Mark Doyle will be joined by vocalist Soraya Vivian and celebrity saxophonist Lady V.
On Saturday, 8KY 6LU, one half of LMFAO, will be backed by beat master DJ BMAD and Miles Slater, music director of London’s member-only Boujis, will be on the undercard. Catch Dimitri from Paris on Sunday night, supported by British producer, DJ and remixer Joey Negro, and his energetic disco house.

Tickets from AED400. Fri-Sun 10pm-5am. du Forum, Yas West, www.podiumlounge.com/ae/tickets.

Cirque le soir at rush club: Renowned London and Dubai club Cirque le Soir will be bringing its decadent style of nightlife to Yas Island on Friday night. Its famous troupe of fire breathers, contortionists and dancers will be on site with the usual weird and wonderful performances and in true cirque style, surprises are guaranteed, including promises of a special guest performance. Bound to be an unforgettable party experience.

For reservation inquiries e-mail reservations@cirquelesoirdubai.com. Fri Nov 27. Rush Club, Connecting Bridge, Yas Viceroy Hotel (055 228 5528).

VIP ROOM: VIP Room clubs are where the who’s who of cities like Paris, Marrakech and St. Tropez go to let their hair down. VIP Room also hosts huge after-parties at events like the Monaco Grand Prix and Cannes Film Festival. Find them on Yas Island over F1 weekend at a soon-to-be revealed location. Details of their line-up are also coming soon.

Nov 27-29. For reservations, e-mail bookings@viproom-dubai.com (052 881 8888).

Ibiza Hott Radio Streaming live from MAZI – SOTTOTERRA’ launch at Horse & Groom in Shoreditch, London


(1) MAZI presents ‘SOTTOTERRA’ launch – Classic Wabaso & Joseph Berry, Beck ‘N’ Bird, El Prevost, Amy Cosslett Live & Miguel Alves on Percussion

 Nov 21 at 10:00am to Nov 22 at 4:00am
28 Curtain Road, EC2A 3NZ London, United Kingdom
(1) MAZI presents ‘SOTTOTERRA’ launch – Classic Wabaso & Joseph Berry, Beck ‘N’ Bird, El Prevost, Amy Cosslett Live & Miguel Alves on Percussion
The MAZI family introduces Mission Sottoterra – an night of deep underground house music. Brought to you by Classic Wabaso and Joseph Berry, featuring MAZI resident vocalist Amy Cosslett with live percussionist Miguel Alves.
MAZI takes you to the underground.

Live Broadcast by Ibiza Hott Radio

DJs on the night


**This is a Guest list Only event**
For requset please vist: www.mazi-events.com


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